The idea of social design served as the foundation for the Fashion Empowerment project. In this context, Background Check Social Design Social Art design is understood as a means of solving problems creatively in which the characteristics of the design process are applied to meet social requirements.
Background Check Social Design Social Art
It is “real world” design, in Papanek’s words (Papanek 1997). As opposed to market-oriented design, which has historically served the wishes and excessive consumption of the wealthy minority, social design is inclusive and meets the needs of all humanity. Social design is often referred to by phrases like “design for all,” “responsible design,” and “ethical design,” to mention a few.
It is similar like opening Pandora’s Box to discuss fashion design in the perspective of sustainability. There are many opportunities for decisions made by designers, producers, retailers, and consumers to reflect socially responsible views and sensibilities because there are many stages to the fashion industry, including ideation, design, production, distribution, sale, consumption, and ultimately disposal.
Where designs come from, the materials used in production (green materials, recycled materials, upcycled materials, repurposed materials), how and where fashion is produced and sold, how it is consumed in terms of use, care, disposal, etc., all reflect a commitment to or disregard for social responsibility and sustainability.
Background Check Social Design Social Art
Inclusion and design-for-all issues have received less attention in the fashion discourse than ecological sustainability, which has been a recurring theme. The use of participatory, user-centered design methodologies, which are frequently used in service design to incorporate the user in the process, not as a participant but as a co-creator, has grown in popularity as social and ethical consciousness among designers as a whole has expanded.
Co-creation requires equal, non-hierarchical collaboration, which may be — and frequently is — challenging when the Expert and the Layman are involved. Designer knowledge, which combines intuition gained from years of experience dealing with something as complicated as design and craftsmanship, or practical know-how, was given the word Mtis by Aristotle.
According to J.C. Scott, “In a way, Métis rests in that great vacuum between the realm of genius, to which no formula can apply, and the realm of codified information, which may be acquired by rote” (1998). The difficulty with Metis is that it is closed off to outsiders. On an interpersonal level, it cannot be conveyed. In terms of spirituality, it could be described as Ego centris.
Background Check Social Design Social Art
There are strategies to tone down Metis and produce more meaningful and expressive co-design experiences, including the currently popular Mindfulness. Eastern philosophies, particularly Buddhism, contain the seeds of mindfulness. However, since the 1970s, it has been practiced in the West without any overt religious overtones as a method for teaching the mind to remain in the Present and accept life as it comes.
By becoming still and stilling the racing mind, the age-old practice of meditation helps one enter the desired level of awareness. Though it is not yet commonly used in design terminology, art is by its very nature thoughtful. The best artistic experiences are meditative in nature and are all about being present.
This is best demonstrated by Marina Abramovic’s MOMA exhibit The Artist is Present, in which the artist occupies a chair and fixes her intense gaze on the person occupying the chair in front of her. The audience’s response to Abramovic’s intense gaze was unpredictable, ranging from uncontrollable laughing to desperation-filled sobbing. Marina Abramovis The artist is in the room.
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